The essays offered here were written between 1970 and 2005. They were not written with the view to form a book. They are now published together in the conviction that, both singly and as a whole, they can contribute to a better appreciation of Satyajit Ray's legacy.
The essays deal with Ray as a filmmaker. The date on which each essay was written is indicated as it situates each in the cultural context in which it was conceived.
Out of the twenty-nine feature films of Ray, only eight, plus the Apu Trilogy as a whole, are discussed. Moreover, this small collection is not a selection, indicating preferences; nor is it a classification, rating the films.
The discussion of Jana Aranya is the only essay that was written for this book to illuminate the evolution that took place from the first to the last film of Satyajit Ray. In order to preserve their historical value, generally, the essays have not been updated.
Given Ray's deep involvement in film education, especially in the film societies movement in India, it was felt mandatory to include two articles on the subject, one discussing the situation of the film societies today, and the other, inspired by Satyajit Ray, and proposing a programme of media education for a new type of film society.
Acknowledgement 11
Introduction 13
Part One: Personal Recollections 17-32
Part Two:
A. Film Discussions 37-88
B. The Heart Trilogy 93-103
Part Three: Teaching Film with Ray's Films 117-139
Part Four: The Cinema of Satyajit Ray 151-197
Part Five: Interview: 207
Part Six: Satyajit Ray and the Film Societies Movement in India 225
Conclusion 251
References 265
Filmography 269
Index 273
Gaston Roberge, MA, Theatre Art (Film), University of California at Los Angeles (UCLA), was born in Montreal, Canada, in 1935. He came to India in 1961 and lived in Kolkata till he passed away in August 2020.