"Superheroes are an oft-studied phenomenon; however, with a few exceptions, their foes have gone understudied. Nao Tamabechi's comprehensive study distinguishes itself from its forebears and is an incredibly valuable resource for comic studies scholars and comic book readers alike."
— Phillip Cunningham, Wake Forest University
"Nao Tomabechi proves how rewarding a deeper dive into the pages of serialized comics can be. Mapping out the interdependent relationships between superheroes and supervillains, Tomabechi astutely contributes to the rich fields of comics studies, North American studies, and cultural studies in this highly original new book."
— Julia Leyda, author of Anthroposcreens: Mediating the Climate Unconscious
"If you think that supervillains are merely side characters in the grand scheme of superhero comics, this groundbreaking book will teach you otherwise. Tomabechi’s excellent study shows that supervillains are central agents of genre development: narrative driving forces and deviant figures that complicate hegemonic notions of race, gender, disability, and queerness."
— Daniel Stein, author of Authorizing Superhero Comics
“Tomabechi focuses their substantial analysis specifically on the comics form, marking the first extended discussion of the supervillain as a storytelling device in sequential art. The book is both ambitious and humble, engaging in a comprehensive, overdue investigation that limits itself to sensible boundaries and, in the process, helps us better understand the field of comics studies.”
— Robert Peaslee, co-editor of The Supervillains Reader
"Tomabechi provides a revealing examination of the paradoxical nature of supervillains - on the one hand, reflecting what society considers monstrous and Other, yet also being alluring, even generating their own fandom."
— Randy Duncan, co-author of The Power of Comics and Graphic Novels: Culture, Form, and Context
"Superheroes are an oft-studied phenomenon; however, with a few exceptions, their foes have gone understudied. Nao Tamabechi's comprehensive study distinguishes itself from its forebears and is an incredibly valuable resource for comic studies scholars and comic book readers alike."
— Phillip Cunningham, Wake Forest University
"If you think that supervillains are merely side characters in the grand scheme of superhero comics, this groundbreaking book will teach you otherwise. Tomabechi’s excellent study shows that supervillains are central agents of genre development: narrative driving forces and deviant figures that complicate hegemonic notions of race, gender, disability, and queerness."
— Daniel Stein, author of Authorizing Superhero Comics
"Nao Tomabechi proves how rewarding a deeper dive into the pages of serialized comics can be. Mapping out the interdependent relationships between superheroes and supervillains, Tomabechi astutely contributes to the rich fields of comics studies, North American studies, and cultural studies in this highly original new book."
— Julia Leyda, author of Anthroposcreens: Mediating the Climate Unconscious
“Tomabechi focuses their substantial analysis specifically on the comics form, marking the first extended discussion of the supervillain as a storytelling device in sequential art. The book is both ambitious and humble, engaging in a comprehensive, overdue investigation that limits itself to sensible boundaries and, in the process, helps us better understand the field of comics studies.”
— Robert Peaslee, co-editor of The Supervillains Reader
"Tomabechi provides a revealing examination of the paradoxical nature of supervillains - on the one hand, reflecting what society considers monstrous and Other, yet also being alluring, even generating their own fandom."
— Randy Duncan, co-author of The Power of Comics and Graphic Novels: Culture, Form, and Context
