"This hybrid work–part epistolary novel, part essay, part biography–struck a deep chord in me. Maraini, among the most outspoken and important authors in Italy today, posits a series of connections and disconnections between author and reader, the Middle Ages and modernity, possession and renunciation. Jane Tylus's translation is resonant and immensely readable."
- Jhumpa Lahiri (author of Whereabouts) "The life of Italian saint Clare of Assisi gets a clever feminist reimagining in this biography-cum-epistolary novel by playwright Maraini (Voices)...Creatively structured and thoughtfully executed, this genre-smashing blend of history and fiction is delightfully original."
(Publishers Weekly) "This book is not only about the life of Saint Clare, it is a women’s view of the world, an engaging dialogue between the writer and a mysterious reader, the past and the present, faith and reason, and between the ‘happy’ and ‘unhappy’ bodies. It is a very inspiring read."
- Amara Lakhous (author of Clash of Civilizations over an Elevator in Piazza Vittorio) "In her passionate book marked by dreams and ongoing questions, Dacia Maraini delivers a gorgeous portrait of Clare of Assisi, who succeeded in giving life to a revolutionary language and overturning the rules of her time in order to follow one rule, her own."
- Corriere Adriatico "This intimate and provocative book is the story of an encounter, between a great woman writer who has made words the very instrument with which she can tell a story about reality, and an intelligent, determined woman to whom the use of the word was denied."
- Enza Cavallaro (Il Quotidiano di Calabria) "As with Francis, for Clare the profound significance of poverty is that one has the freedom to invent one's own destiny. With this book, in part an exchange of letters with a mysterious interlocutor, in part a diary, Dacia Maraini has added a precious, missing link to her feminist writings, all the more convincing for its distance from any form of philosophical or political abstraction."
- Emanuele Trevi (Corriere della Sera)
