Robert Budde teaches creative writing and critical theory at the University of Northern British Columbia in Prince George. He has published four books (two poetry - Catch as Catch and traffick, and two novels - Misshapen and, most recently, The Dying Poem). He maintains two online literary journals at and .
Alison Calder has published widely on Canadian prairie literature and culture, including critical editions of Settlers of the Marsh and Over Prairie Trails by Frederick Philip Grove, and Desire Never Leaves: The Poetry of Tim Lilburn. Her poetry collections are Wolf Tree and In the Tiger Park, and with Jeanette Lynes she is the co-author of Ghost Works: Improvisations in Letters and Poems. She teaches Canadian literature and creative writing at the University of Manitoba.
Louise H. Forsyth was the chair of the French department at the University of Western Ontario, dean of Graduate Studies and Research at the University of Saskatchewan, and president of the Canadian Federation of the Humanities and Social Sciences. Her academic specializations are contemporary Quebec women poets and playwrights, and she has recently edited Nicole Brossard: Essays on Her Works and Anthology of Québec Women's Plays in English Translation, Vol. I (1966 - 1986) and Vol. II (1987 - 2003).
Catherine Hunter is a poet, novelist, editor of the Muses' Co. Press, and associate professor of English at the University of Winnipeg. Her most recent work is the novella In the First Early Days of My Death.
Susan Knutson was born in Vancouver but moved in 1988 to the francophone Acadian community of Clare, Nova Scotia, to teach at Université Sainte-Anne. She has authored numerous articles and one book, Narrative in the Feminine: Daphne Marlatt and Nicole Brossard (WLU Press, 2000), and has edited Canadian Shakespeare (2010) and the interdisciplinary review Port Acadie.
Tanis MacDonald is an associate professor in the Department of English and Film Studies at Wilfrid Laurier University in Waterloo. She is the author of three books of poetry, most recently Rue the Day (Turnstone Press, 2008), and the editor of Speaking of Power: The Poetry of Di Brandt (WLU Press, 2006). Her book The Daughter's Way: Canadian Women's Paternal Elegies was a finalist for the 2012 ACQL Gabrielle Roy Prize for Literary Criticism.
Nicole Markotic is a poet and critic who teaches at the University of Windsor and edits the chapbook publication Wrinkle Press. She has published two poetry books, Connect the Dots and Minotaurs & Other Alphabets, as well as a fictional biography of Alexander Graham Bell, Yellow Pages. She is currently completing a novel.
Laura Moss is an associate professor in the Department of English at the University of British Columbia and the former director of the UBC International Canadian Studies Centre. She is the associate editor of the journal Canadian Literature, co-editor (with Cynthia Sugars) of the two volume Canadian Literature in English: Texts and Contexts (2008, 2009), and the editor of Is Canada Postcolonial? Unsettling Canadian Literature (WLU Press, 2003).
Owen Percy is a teacher, writer, editor, and critic of North American and postcolonial literature. He earned his Ph.D. in Canadian literature and literary culture from the University of Calgary in 2010. He is a professor of literary studies at Sheridan College in Brampton, Ontario
Leslie C. Sanders is a professor at York University, where she teaches African American and Black Canadian literature. She is the author of The Development of Black Theatre in America, the editor of two volumes of Langston Hughes's performance works, and a general editor of the Collected Works of Langston Hughes. She has written essays on African American and Black Canadian literature.
