Science Fusion in Contemporary Mexican Literature

"This well-crafted, layered text offers a vital and refreshing lens for contemporary Mexican works. . . . Highly recommended." (CHOICE) “Science Fusion, a criticism of the Enlightenment colonial notion that separates science and the humanities, begins with an engaging study of people passing through the science tunnel in the La Raza metro station in Mexico City. As Chandler draws on ecocriticism, science fiction, and the history of science in Mexico, his dynamic work shows that our experience of the world is an interconnected one, made up of matter, and how we interpret it.” - Rebecca Janzen (author of Unlawful Violence: Mexican Law and Cultural Production) “Brian Chandler expertly navigates four decades of literary production to show how Mexican authors have reflected on the interconnectedness between science and culture. Chandler’s book reinvigorates literature and science as a field in the Latin American context, and it is a must-read for anyone interested in the entanglements between the sciences and the humanities.” - Oscar A. Pérez (author of Medicine, Power, and the Authoritarian Regime in Hispanic Literature) “In this tightly argued book, Brian Chandler assesses contemporary Mexican literature that draws from, and challenges, scientific theories. Chandler counters the tendency to consider literary engagements with science solely through the lens of science fiction, demonstrating instead how diverse forms of literary ‘science fusion’ problematize the purported human/nonhuman divide.” - Carolyn Fornoff (author of Subjunctive Aesthetics: Mexican Cultural Production in the Era of Climate Change) “This engagingly written and meticulously researched study of science in contemporary Mexican literature answers and asks many questions about history, the more-than-human world, automation, extractionism, and other key issues in Mexico today. Chandler’s study opens new lines of inquiry into the world of some of the most relevant writers in recent Mexican poetry (Alberto Blanco), drama (Sabina Berman), and fiction (the Crack) and introduces us to the work of some younger writers as well.” - Ronald J. Friis (author of White Light: The Poetry of Alberto Blanco (Bucknell University Press))