“Mulryan’s book might as well be about the unannounced birth of sociology some fifty years before Auguste Comte. Through his reading of the urban space of Paris and his representation of the different strands of Parisian society, Mercier exposed in great detail the existence of inequalities, abuses, and injustices that had hitherto mostly been treated theoretically; and as Mulryan shows quite dexterously, this practical, urban approach allows Mercier to give practical solutions to the woes of France, before and after the Revolution.”— Fayçal Falaky, author of Social Contract, Masochist Contract: Aesthetics of Freedom and Submission in Rousseau
“This original investigation into pre-and post-Revolutionary Paris and its festive, social, and artistic spaces vividly captures Mercier’s journalisme engagé. A fascinating study worthy of this eclectic, pivotal author.”— Fabienne Moore, author of Prose Poems of the French Enlightenment: Delimiting Genre
“Mulryan analyzes the social divisions and the reforming policies that are expressed through the representation of urban space. One of the most important contributions of this book lies in the exploration of unpublished texts and of perspectives little addressed by critics such as the religious anchoring of Mercier's thought.”— Geneviève Boucher, associate professor of French, University of Ottawa
“A comprehensive exploration of Mercier’s wonderfully entertaining ‘tableaux de Paris’ and his lively, passionate, and multi-faceted commitment to social justice. In this highly informative, highly necessary study, Mulryan demonstrates with great clarity and precision why Mercier is a major late Enlightenment writer.”— Laurence Mall, author of Emile ou les figures de la fiction
