Contents
Acknowledgments
Introduction: The Matrix of Photography and Cinema
1. Photosophia: Visualizing the Racialized Cosmos in the Seventeenth Century
2. Kinemorphosis: Cosmological Animation and History's Whiteness
3. Photoimaging Hieroglyphs: Blackening, Anti-Blackness, and Proto-Photography
4. Photology: Black Light, the Wave Theory of Light, and Pre-Photography
5. Selenography: The Moon, Slavery, and the Dark Side of Photography
6. The Graphic Method: Time-Tracing, Colonial Supremacy, and Astrophotography
7. Flammarion's Telechronoscope: The End of Natural History and the Beginning of Cinema
Conclusion: The Matrix of Photocinema and the Moral Universe
Notes
Index