In When Home Is a Photograph, Leigh Raiford asks how Black people use photography to make home in the world. Raiford focuses on a selection of Black American activists and artists, including Marcus Garvey, James Van Der Zee, Eslanda Goode Robeson, and Kathleen Neal Cleaver to explore the complex relationship between racialized subjects and the medium of photography. As they traveled the world for study, for work, for pleasure, or for survival, these artists and activists took and collected photographs to express their political platforms and personal sense of self. Raiford considers the everyday image-making practices that these Black Americans employed to improve the condition of Black lives globally by imagining, identifying, inhabiting, leaving, defending, and destroying “home.” When Home Is a Photograph shows how these figures did not merely utilize photography to emplace themselves in the world—they demonstrated how the use of photography is itself a way to mediate one’s relationship to the world.
When I Think of Home . . . (acknowledgments) ix
Introduction. When Home Is a Photograph 1
1. The Cynosure of the Eyes of Harlem: Marcus Garvey and James Van Der Zee in Stereograph 17
2. To Feel Perfectly at Home: Eslanda Robeson’s Ethnographic Lens 45
3. Making Home in Exile: Kathleen Cleaver’s Black Panther Family Album 79
4. Shelter in Place: Dawoud Bey, Sadie Barnette, and the Photography of Uncertainty 109
Notes 127
Bibliography 141
Index 153
