Offers an introduction to the representation of male homosexuality in Chinese cinemas. This work states that representations of male homosexuality in Chinese film are polyphonic and multifarious, posing a challenge to monolithic and essentialized constructions of both ""Chineseness"" and ""homosexuality.
Song Hwee Lim teaches transnational Chinese cinemas and contemporary Chinese literature at the School of Modern Languages and Cultures, University of Leeds, where he is also co-director of the MA in World Cinemas Program.