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Noir Affect

Noir Affect

Edited by Christopher Breu and Elizabeth A. Hatmaker

Contributions by Christopher Breu, Alexander Dunst, Sean Grattan, Elizabeth A. Hatmaker, Peter Hitchcock, Justus Nieland, Andrew Pepper, Brian Rejack, Ignacio Sánchez Prado, Pamela Thoma and Kirin Wachter-Grene

Published by: Fordham University Press

Imprint: Fordham University Press

152.00 × 228.00 mm, 11

EPUB
9780823287789
Published: June 2020

Web PDF
9780823287796
Published: June 2020

Description
Contents
Authors

Noir Affect proposes a new understanding of noir as defined by negative affect. This new understanding emphasizes that noir is, first and foremost, an affective disposition rather than a specific cycle of films or novels associated with a given time period or national tradition. Instead, the essays in Noir Affect trace noir’s negativity as it manifests in different national contexts from the United States to Mexico, France, and Japan and in a range of different media, including films, novels, video games, and manga.
The forms of affect associated with noir are resolutely negative: These are narratives centered on loss, sadness, rage, shame, guilt, regret, anxiety, humiliation, resentment, resistance, and refusal. Moreover, noir often asks us to identify with those on the losing end of cultural narratives, especially the criminal, the lost, the compromised, the haunted, the unlucky, the cast-aside, and the erotically “perverse,” including those whose greatest erotic attachment is to death. Drawing on contemporary work in affect theory, while also re-orienting some of its core assumptions to address the resolutely negative affects narrated by noir, Noir Affect is invested in thinking through the material, bodily, social, and political–economic impact of the various forms noir affect takes.
If much affect theory asks us to consider affect as a space of possibility and becoming, Noir Affect asks us to consider affect as also a site of repetition, dissolution, redundancy, unmaking, and decay. It also asks us to consider the way in which the affective dimensions of noir enable the staging of various forms of social antagonism, including those associated with racial, gendered, sexual, and economic inequality. Featuring an Afterword by the celebrated noir scholar Paula Rabinowitz and essays by an array of leading scholars, Noir Affect aims to fundamentally re-orient our understanding of noir.
Contributors: Alexander Dunst, Sean Grattan, Peter Hitchcock, Justus Nieland, Andrew Pepper, Ignacio Sánchez Prado, Brian Rejack, Pamela Thoma, Kirin Wachter-Grene

Christopher Breu (he/they) is Professor of English at Illinois State University. He is the author of Insistence of the Material: Literature in the Age of Biopolitics and Hard-Boiled Masculinities. He is also co-editor (with Elizabeth A. Hatmaker) of Noir Affect (Fordham).

Elizabeth A. Hatmaker was a poet, theorist, and teacher. She was instructional assistant professor at Illinois State University. She was the author of two books of poetry, Infrastructures (2015) and Girl in Two Pieces (2009). She passed away in 2015 due to complications from ALS.

Alexander Dunst is assistant professor of American Studies at the University of Paderborn. His research and teaching focus on twentieth-century cultural history, the digital humanities, and contemporary visual narrative. He is the author of Madness in Cold War America (2016) and is currently writing a book on the rise of the graphic novel.

Sean Grattan is lecturer of American literature at the University of Kent. He is the author of Hope Isn’t Stupid: Utopian Affects in Contemporary American Literature (2017) and coeditor (with Christian Haines) of the special issue on “What Comes After the Subject?,” Cultural Critique 96 (Spring 2017).

Andrew Pepper is senior lecturer in English at Queen’s University Belfast. He is the author of Unwilling Executioner: Crime Fiction and the State (2016) and The Contemporary American Crime Novel: Race, Ethnicity, Gender, Class (2000) and the coeditor of Globalization and the State in Contemporary American Crime Fiction (Palgrave 2016). He is also a coeditor of the forthcoming Routledge Companion to Crime Fiction. He is also the author of a series of crime novels set in nineteenth-century Britain and Ireland, including The Last Days of Newgate (2006) and Bloody Winter (2011).

Brian Rejack is associate professor in the Department of English at Illinois State University. He is the coeditor, with Michael Theune, of Keats’s Negative Capability: New Origins and Afterlives (2019). He is also the author of “Toward a Virtual Reenactment of History: Video Games and the Recreation of the Past,” published in Rethinking History (2007).

Ignacio Sánchez Prado is Jarvis Thurston and Mona van Duyn Professor in the Humanities at Washington University in St. Louis. He is the author of Strategic Occidentalism: On Mexican Fiction and The Neoliberal World Market and the Question of World Literature (2018) and editor of Mexican Literature in Theory and Pierre Bourdieu in Hispanic Literature and Culture (2018). His work focuses on the relationship between cultural institutions and aesthetics in Mexico and he has published over ninety articles and book chapters on questions of Mexican literature and cinema, world literature and cultural theory.

Kirin Wachter-Grene is assistant professor of Liberal Arts at the School of the Art Institute of Chicago. Her work focuses on African American literature and gender and sexuality studies and has been published in African American Review, The Black Scholar, Callaloo, Feminist Formations, Legacy: A Journal of American Women Writers, and more. She is guest editor of At the Limits of Desire: Black Radical Pleasure, a special issue of The Black Scholar, and is currently working on a book on Samuel R. Delany and transgressive African American literature.