"Apropos of his homo-topics, Goldberg writes beautifully, in prose vulnerable and oppositional that elevates academic vernacular to a higher aesthetic plane.... Lucky for us, Goldberg’s decided we can’t have our Hitchcock without our Highsmith, and aren’t they a lovely pair. He writes about music in Hitchcock (something rarely considered) and explores how Highsmith thematizes music in her novels.... [Y]ou will trust Goldberg’s fast-paced, suspenseful ekphrasis and delight in reliving these extraordinary reversals on the page."
- Maxe Crandall (Lambda Literary Review) "Goldberg achieves a greater, more nuanced understanding of melodrama’s potential for artistic and philosophical expression, as well as its unique importance for the study of media, gender, race, and sexuality."
- Matthew J. M. Grant (Film Criticism) "Students of melodrama have long been drilled in the term’s literal meaning: music + drama. But before Jonathan Goldberg’s Melodrama, few have had the chance to take the music seriously. With a rare combination of musical expertise and critical acumen, Goldberg puts the pieces together in this book. . . . Exceptional. . . ."
- Ned Schantz (Crticism) "Melodrama offers a distinctively queer theoretical contribution to the extensive scholarly work on melodrama in film and literary studies. The book is also a form of critical address that seeks to think with works of art the author clearly identifies with and also identifies as practicing a homo-aesthetics that traverses genres, media, and time."
- Victoria Hesford (GLQ)
