Hidden Light

Hidden Light analyzes the ‘Judaic turn’ in Israeli cinema during the 2000s in riveting and rigorous detail. But that is only one of this book’s many impressive achievements. Chyutin grapples with nothing less than film theory’s links to religious and mystical concepts, building new bridges between film studies, Jewish studies, and religious studies." - Adam Lowenstein, University of Pittsburgh, author of Horror Film and Otherness

"Hidden Light is an act of reclamation. Moving beyond a seeming dichotomy between a text-driven legal tradition and the visual poetics of cinema, Chyutin brilliantly illustrates how the recent wave of religiously inflected Israeli cinema is deeply rooted in Jewish traditions of longing, prayer, and transcendence." - Shayna Weiss, associate director of the Schusterman Center for Israel Studies at Brandeis University

"Hidden Light is essential for anyone interested in contemporary Israeli cinema. Bringing deep theoretical and historical knowledge to bear on the ‘Judaic turn,’ Chyutin presents new ways of thinking about religion on-screen and ideas of spiritual transcendence endemic to the concept of ‘the cinematic’ since the art form’s birth." - Kyle Stevens, editor of The Oxford Handbook of Film Theory

"Dan Chyutin’s timely study brings the ‘Judaic turn’ to bear upon a rich and engaging analysis of Israeli cinema. It does so by paying attention to cinematic appeals to the Judaic New Age, or what some scholars have recently termed the ‘Jew Age.’ Hidden Light: Judaism and Mystical Experience in Israeli Cinema is an important contribution that, through its Jew Age analyses, brings into question simplistic binary thinking regarding the Israeli secular-religious divide in favor of a more complex reading of Judaism’s relationship to Israeli notions of identity." - Brian Ogren, Anna Smith Fine Professor of Judaic Studies and Religion Department Chair, Rice University

"Hidden Light makes a singular contribution to the study of Israeli cinema, exploring and delineating one of the most important developments in Israeli cinema over the past three decades: the emergence of religious-themed Israeli films. Chyutin’s analysis of films is meticulous and enlightening, as he expands and challenges our perceptions of the Israeli cinematic canon." - Eran Kaplan, author of Projecting the Nation: History and Ideology on the Israeli Screen

"Film scholars will find merit." - Publisher's Weekly