Acknowledgments , , , ,
Introduction , , , ,
, Ella Shohat ,
,
, Robert Stam ,
,
, Fanon, Algeria, and the Cinema: The Politics of Identification ,
, , , ,
, Robert Stam ,
,
, Beur Cinema and the Politics of Location: French Immigration Politics and the Naming of a Film Movement ,
, , , ,
, Peter Bloom ,
,
, Dances With Wolves ,
, , , ,
, Edward D. Castillo ,
,
, Screen Memories and Entangled Technologies: Resignifying Indigenous Lives ,
, , , ,
, Faye Ginsburg ,
,
, ``Train of Shadows'': Early Cinema and Modernity in Latin America ,
, , , ,
, Ana M. Lopez ,
,
, Oedipus Tex/Oedipus Mex: Triangulations of Paternity, Race, and Nation in John Sayles's Lone Star ,
, , , ,
, Julianne Burton-Carvajal ,
,
, Emigrants Twice Displaced: Race, Color, and Identity in Mira Nair's Mississippi Masala ,
, , , ,
, Binita Mehta ,
,
, Itineraries of Indian Cinema: African Videos, Bollywood, and Global Media ,
, , , ,
, Brian Larkin ,
,
, The ``I'' Narrator in Black Diaspora Documentary ,
, , , ,
, Manthia Diawara ,
,
, Phobic Spaces and Liminal Panics: Independent Transnational Film Genre ,
, , , ,
, Hamid Naficy ,
,
, ``My Name is Forrest, Forrest Gump'': Whiteness Studies and the Paradox of Particularity ,
, , , ,
, Robyn Wiegman ,
,
, Warrior Marks: Global Womanism's Neo-Colonial Discourse in a Multicultural Context ,
, , , ,
, Inderpal Grewal ,
,
, Caren Kaplan ,
,
, Multiculturalism, Dictatorship, and Cinema Vanguards: Philippine and Brazilian Analogies ,
, , , ,
, Talitha Espiritu ,
,
, The Appended Subject: Race and Identity as Digital Assemblage ,
, , , ,
, Jennifer Gonzalez ,
,
Contributors , , , ,
Index , , ,
