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Renaissance Invention

Renaissance Invention

Stradanus's Nova Reperta

by Lia Markey

Contributions by David Cressy, Pedro Raposo, J.B. Shank, Pamela Smith, McKenzie Stupica, John Sullivan, Claudia Swan, Alexandra Thomas, Madeleine C. Viljoen, Debora Wood, Jim Akerman, Christopher Fletcher, Jill Gage, Megan Kelly, Analú Lopez, Isabella Magni, Martin Antonetti, Niall Atkinson, Karen Bowen, James Clifton, Matthew James Crawford, Ikumi Crocoll, Olivia Dill, Sven Dupré, Andrew Epps, Christine Göttler, Marisa Guo, Deborah Howard, Dirk Imhof, Elisa Jones, Suzanne Karr Schmidt, Jessica Keating, Stephanie Lee, Dániel Margócsy, Jennifer Nelson, Claire Ptaschinski, Sandra Racek, Alessandra Foscati, Risa Puleo, Luca Molà and Rebecca Zorach

Published by: Northwestern University Press

Imprint: Northwestern University Press

268 Pages, 304.00 × 226.00 × 25.00 mm, 147 colour images

  • Paperback
  • 9780810142022
  • Published: March 2020

£38.00

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  • Description
  • Contents
  • Authors
  • Praise
This book is the first full-length study of the Nova Reperta (New Discoveries), a renowned series of prints designed by Johannes Stradanus during the late 1580s in Florence. Reproductions of the prints, essays, conversations from a scholarly symposium, and catalogue entries complement a Newberry Library exhibition that tells the story of the design, conception, and reception of Stradanus's engravings.

Renaissance Invention: Stradanus's 'Nova Reperta' seeks to understand why certain inventions or novelties were represented in the series and how that presentation reflected and fostered their adoption in the sixteenth century. What can Stradanus's prints tell us about invention and cross-cultural encounter in the Renaissance? What was considered 'new' in the era? Who created change and technological innovation?
 
Through images of group activities and interactions in workshops, Stradanus's prints emphasize the importance of collaboration in the creation of new things, dispelling traditional notions of individual genius. The series also dismisses the assumption that the revival of the wonders of the ancient world in Italy was the catalyst for transformation. In fact, the Latin captions on the prints explain how contemporary inventions surpass those of the ancients. Together, word and image foreground the global nature of invention and change in the early modern period even as they promote specifically Florentine interests and activities.
  • Acknowledgements
  • Preface
  • Essays
  • Introduction: Inventing the Nova Reperta
  • Lia Markey
  • 1.Philips Galle's Nova Reperta: A Case Study in Print Prices and Distribution
  • Karen L. Bowen
  • 2. Stradanus's Print Shop and the Practice of Printing in Sixteenth-century Antwerp
  • Dirk Imhof
  • 3. Diligent Labor in Stradanus's Engraving Shop
  • Madeleine C. Viljoen
  • 4. Mathematical Instruments in the Nova Reperta
  • James Clifton
  • 5. Invented Processes and Hands-On Knowledge: Stradanus's Distillation and Magnetic Compass  
  • Olivia Dill
  • 6. A New World Disease and Therapy: Stradano's Guaiacum Engraving
  • Alessandra Foscati and Lia Markey
  • 7.The Global Reception of Stradanus and the Political Uses of the Nova Reperta
  • DÁniel MargÓcsy
  • 8. Practical Knowledge in Early Modern Europe
  • Pamela H. Smith
  • Conversations
  • Navigation
  • Jim Akerman, Pedro Raposo, JB Shank
  • Warfare
  • David Cressy, Jennifer Nelson, Suzanne Karr Schmidt
  • Printing
  • Jill Gage, Martin Antonetti
  • Transformation
  • Rebecca Zorach, Luca MolÀ, Matthew James Crawford
  • Machines
  • Jessica Keating, Deborah Howard, Niall Atkinson
  • Visuality
  • Christine GÖttler, Claudia Swan, Sven DuprÉ
  • Catalogue
  • 58 entries on materials from the Newberry's collection
  • Bibliography
  • Index

Lia Markey is the director of the Center of Renaissance Studies at the Newberry Library.

Lia Markey has assembled an excellent team of scholars to guide us through a close, careful, and well contextualized reading of Johannes Stradanus's series of prints from the late 1580s known as the Nova Reperta, some of the most evocative and emblematic images of the early modern era." - Paula Findlen, author of Empires of Knowledge: Scientific Networks in the Early Modern World

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