A Spanish Prisoner in the Ruins of Napoleon's Empire offers a rare primary document from an important moment in history: the Spanish War of Independence, which culminated in the expulsion of France from the Iberian Peninsula in 1814. Fernando Blanco White, a Spaniard whose family made its fortune in trade in Seville - historically Spain's vital link to its American empire- experienced the turmoil of this time period, both as a prisoner of war and as a free man. Blanco White's diary offers personal insights into how people in Europe and across its global empires coped with these profound transformations.
Taken prisoner by the French in 1809, Blanco White finally fled from captivity in 1814. Along with other Spanish escapees, he crossed Switzerland, the Rhineland, and the Netherlands before finally setting sail for England. Unlike most of his countrymen, who were quickly whisked back to Spain, Blanco White stayed in England for two years, during which time he composed his account of his flight across Europe. His diary offers gripping, witty, and sometimes cranky accounts of this time, as he records rich descriptions of places he passed through, his companions and fellow Spaniards, and his many encounters with soldiers and civilians. He writes vividly about his imprisonment, his fear of recapture, his renewed exercise of autonomy, and the inverse, his ""slavery""- a term he employs in evocative fashion to describe both his captivity at the hands of the French and the condition of Spaniards more generally under the absolutist Bourbon monarchy.
Now available in paperback, Blanco White's diary tracks firsthand the Spanish experience of war, captivity, and flight during the War of Independence.
Author of Slavery, Freedom, and Abolition in Latin America and the Atlantic World, Christopher Schmidt-ÂNowara was professor of history and Prince of Asturias Chair in Spanish Culture & Civilization at Tufts University until his death in 2015.
Christopher Schmidt-Nowara's introduction to Fernando Blanco White's journal is a model of its kind. He draws on Fernando's letters to his parents from Chalon to provide a rare glimpse of the hardships undergone there by prisoners. More importantly he sets the narrative in a much broader context, relating it to more general themes of freedom, slavery, honor, and masculinity.
