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Cather Studies, Volume 11

Cather Studies, Volume 11

Willa Cather at the Modernist Crux

by Cather Studies

Edited by Ann Moseley, John J. Murphy and Robert Thacker

Published by: University of Nebraska Press

Series: Cather Studies

Imprint: University of Nebraska Press

384 Pages, 140.00 × 216.00 mm, 18 photographs, 1 index

Paperback
9780803296992
Published: August 2017

£31.00

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Description
Contents
Authors
Praise

Willa Cather at the Modernist Crux examines Willa Cather’s position in time, in aesthetics, and in the world. Born a Victorian in 1873, Cather made herself a modernist through the poems, stories, and novels she wrote and published into the twentieth century. Beginning with a prologue locating Cather’s position, this volume of Cather Studies offers three sets of related essays.

The first section takes up Cather’s beginnings with her late nineteenth-century cultural influences. The second section explores a range of discernible direct connections with contemporary artists (Howard Pyle, Frederic Remington, and Ernest Blumenschein) and others who figured in the making of her texts. The third section focuses on The Song of the Lark, a novel that confirms Cather’s shift westward and elaborates her emergent modernism. An epilogue by the editors of The Selected Letters of Willa Cather addresses how the recent availability of these letters has transformed Cather studies. Altogether, these essays detail Cather’s shaping of the world of the early twentieth century and later into a singular modernism born of both inherited and newer cultural traditions.

List of Illustrations
Introduction: Willa Cather at the Modernist Crux

Ann Moseley, John J. Murphy, and Robert Thacker

Prologue: Gifts from the Museum: Catherian Epiphanies in Context

John J. Murphy

Part 1. Beginnings
1. The Compatibility of Art and Religion for Willa Cather: From the Beginning

Steven B. Shively

2. Thea in Wonderland: Willa Cather’s Revision of the Alice Novels and the Gender Codes of the Western Frontier

Michelle E. Moore

3. Ántonia and Hiawatha: Spectacles of the Nation

Joseph C. Murphy

Part 2. Presences
4. Willa Cather, Howard Pyle, and “The Precious Message of Romance”

Richard C. Harris

5. “Then a Great Man in American Art”: Willa Cather’s Frederic Remington

Robert Thacker

6. Willa Cather, Ernest L. Blumenschein, and "The Painting of Tomorrow"

James A. Jaap

7. From The Song of the Lark to Lucy Gayheart, and Die WalkÜre to Die Winterreise

David Porter

8. The Trafficking of Mrs. Forrester: Prostitution and Willa Cather's A Lost Lady

Charmion Gustke

9. The Outlandish Hands of Fred Demmler: Pittsburgh Prototypes in The Professor’s House

Timothy W. Bintrim

10. Translating the Southwest: The 1940 French Edition of Death Comes for the Archbishop

Mark J. Madigan

Part 3. Articulation: The Song of the Lark
11. Elements of Modernism in The Song of the Lark

Ann Moseley

12. “The Earliest Sources of Gladness”: Reading the Deep Map of Cather’s Southwest

Diane Prenatt

13. Re(con)ceiving Experience: Cognitive Science and Creativity in The Song of the Lark

Joshua Doležal

14. Women and Vessels in The Song of the Lark and Shadows on the Rock

Angela Conrad

Epilogue: The Difference That Letters Make: A Meditation on The Selected Letters of Willa Cather

Andrew Jewell and Janis Stout

Contributors
Index

Ann Moseley is the William L. Mayo Professor and professor emerita of literature and languages at Texas A&M University–Commerce. John J. Murphy is professor emeritus at Brigham Young University. Robert Thacker is the Charles A. Dana Professor of Canadian Studies and English at St. Lawrence University.

"The essays that comprise Willa Cather at the Modernist Crux are a welcome addition to the ongoing assessment of the author's career and her contributions to modern US literature."-Susan Naramore Maher, American Literary History

“The essays selected for the volume-in all cases substantial and thoughtful, in some cases exhilarating in their intellectual richness and scope-valuably deepen, complicate, and extend the account of the precise nature of Cather’s modernism.”-Richard Millington, coeditor of The Cambridge Companion to Nathaniel Hawthorne

“Essential reading in the field. . . . These essays point the way toward a new generation of Cather scholarship.”-Daryl Palmer, author of Writing Russia in the Age of Shakespeare