"An incredible volume of Northwest Coast scholarship, art-historical analysis, Indigenous knowledge, and a confluence of literary power linked together through intergenerational visioning, Unsettling Native Art Histories on the Northwest Coast signals a change in how Indigenous art is contextualized both academically and institutionally."
(Native American and Indigenous Studies Journal) "[A] valuable contribution to the growing body of scholarship working to center Indigenous voices in Northwest Coast art studies... This volume will certainly become a classic and is an excellent learning tool and essential library addition for anyone interested in Indigenous studies, museum practice, or Northwest Coast art history."
(First American Art Magazine) "Unsettling Native Art Histories on the Northwest Coast questions the very notion of art and problematizes colonial approaches to Indigenous art. Editors Bunn-Marcuse and Jonaitis are particularly interested in how overturning Western ideals can unsettle colonial museum practices."
(Transforming Anthropology) "Given that the apprehension of Northwest Coast Native art is an ever-evolving process, these essays provide readers with an urgently required snapshot of dynamiccontemporary strategies."
(American Indian Culture & Research Journal) "Exemplifying the Indigenous methodologies of respect, reciprocity, and relationality, this book is a model for art historians, curators, and other scholars who want to develop more ethical relationships with the communities whose belongings they store, care for, and study, and is highly recommended for anyone who wants to learn from stories of Indigenous lives enriched by renewed relationships with their ancestral belongings."
(Western Historical Quarterly) "[A]n enjoyable source to learn about emerging research and writers in its field... For humanities scholars attuned to material culture, museum practitioners, and Indigenous art enthusiasts more broadly, the book is generous in ideas and exemplars to better understand ancestral and current arts holistically and to set new directions for engagement at museums and galleries."
(Journal of Folklore Research) "The many stories and essays in Unsettling Native Art Histories provided me with valuable new teachings and perspectives. I recommend it highly to people of diverse interests in the fields of art, anthropology, history, ethnology, and contemporary Indigenous issues."
(The Ormsby Review)
