Foreword by Dr. Tiffany Ana López
Muchas Many Thank-Yous to All Our Panza Allies
Introducción to the Second Edition
Organization of the Book
One/Uno: The Panza Monologues: From Cuentos to DVD
Dos/Two: Script of The Panza Monologues
The Panza Monologues
Glossary
A Chronological Production History of The Panza Monologues
Three/Tres: Tejana Topographies
Un Mapa de San Antonio by Debora Kuetzpal Vasquez Introduction
San Antonio Paint(ed) by Numbers
Autogeographies
Virginia Grise
Irma Mayorga
Cuatro/Four: A DIY Production Manual
Introduction
Guidelines, Advice, and Good Wishes for Staging a Production of The Panza Monologues
Permission to Stage the Play
Royalties for Staging the Play
Promotional Materials for/from Your Production
Notes for Staging Your Production
Beyond the Play: Your Event
Para que nunca más nos vuelvan a borrar: Conciencia
Feminil, a Closer Look at the Practice of Panza Positive Activism
Permissions and Royalty Request Sample Letter for The Panza Monologues
Panza Checklist: Planning Your Production
Tupperware Meets Telenovela: Panza Parties
Introduction
Panza Party Sample Information Email
Panza Checklist: Planning Your Panza Party
Contact information
Five/Cinco: Pedagogy of the Panza: A Reading, Creative Writing, and Discussion Guide for The Panza Monologues
Introduction
Topics for Discussion and Activities Based on The Panza Monologues
Before Reading/Screening
After Reading/Screening
Internet Research Activities
Obesity in the United States
Body Image
Cultural Mapping
Creative Writing Activities Based on The Panza Monologues
Some Thoughts on Free-Writing
Creating Monologues
One-Liners
Writing with Personal Photographs
Autogeography
Ten Steps for Creating Documentary-Style Theater
Further Reading
Panza Pilón: A Manifesto for Panza Positive Chicana Cultural Production
Notes
Additional Art Credits
Index
