"Wells's stories are as detail-dense and strange as an enchanted forest, and they are nothing that can or should be rushed through. . . . Like the best fairytales, these stories give character, form, and emotion to things that we fear or struggle to understand (such as God, death, loss, love), making these things more approachable—and sometimes nearly human—if no less mysterious." —Small Press Picks
"It's all about scale, these transformative and transforming fictions by the professional protean Kellie Wells. These stories ratchet and zoom by powers of ten from the micro- to the telo-scopic and incorporate colors outside the range of sight, stimuli beyond the thresholds of our numb and numberless senses. The tales of God, the Moon, and Other Megafauna disturb, distort, derange, delight. Mad Italianate visionaries—Calvino, Fellini, Galileo—are let loose, unbounded and bountiful, on the flat vernacular graphing paper of the American Middlewest. This work is universal and individually intimate, horizontal and vertical, containing multitudes and more." —Michael Martone, author of Michael Martone and co-author of Winesburg, Indiana: A Fork River Anthology
"In Kellie Wells' brilliant, ebullient book you'll meet animal linguists, sorrow swallowers (descended from the moon, of course), and, yes, the state of Kansas. God, the Moon, and Other Megafauna teems, it erupts, it jives, it makes you cry and sigh and laugh, then cry again. Read Wells when you want to be reminded of all the form is capable of, then read her again for the pure pleasure of her wondrous prose." —Rachel Cantor, author of Good on Paper and A Highly Unlikely Scenario
"In her latest collection of short fiction . . . Kellie Wells weaves intricate and improbable threads to connect the intimate with the distant, the quirky with the conventional, and the microscopic with the gargantuan. Whether these connections feel playfully loose in their scope or razor-sharp in their precision can vary from story to story and, at times, even paragraph to paragraph; they are, however, consistently executed with Wells' confident, alacritous prose and her brilliantly imaginative logic, making each of them a delight to read." —Flint Hills Review
"Wells drops us headlong into a welter of incontinent language and extravagant images that bore into us, piercing us with an uncanny yet comforting madness. As we read these stories we are keenly aware of their made-ness—they are cleverly crafted to an extreme degree. Yet we easily get carried up and into into these gorgeous worlds where the absurd and the incredible reveal to us the recognizable ways in which we all yearn to be truly seen." —The Los Angeles Review
"The fifteen contemporary fables of underdogs, oddballs, and misanthropes in Kellie Wells's God, the Moon, and other Megafauna belong to a weirdly familiar yet decidedly tilted universe. . . . Wells seems never to have met a sentence she couldn't enhance, a list she couldn't extend, or a story she couldn't send airborne. But along with the high-octane wordplay, she gently directs the audience's gaze to the periphery and throws out a lifeline. Words abound, Wells suggests. And words can become stories." —Foreword Reviews
"A vibrant collection of 15 thematically linked stories shaped by surrealism, narratives seemingly reflected in a fun-house mirror. . . . Wells is a writer like no other. Prepare for magic allusive and illusive, intelligent and innovative." —Kirkus Review
"Kellie Wells is a brilliant weaver of worlds both known and unknown, able to conjure the heights of the extraordinary and the wondrous as easily as she maps out our home territories, and her every story is alive to new possibilities of hidden glamour, startling beauty, necessary hope." —Matt Bell, author of Scrapper
"Ms. Wells is the only writer currently residing on earth who can be trusted to write serious fiction about God, death, and the suffering body—to say nothing of Little Miss Time—as adorable cartoon characters. Her language is at once fey and surgically precise. She is a philosopher who mines and undermines the commonplaces and popular ideas of her day like a news-addled mole wearing a diamond headlamp. She is one of a kind in her generation, maybe in any generation, and should be as famous as Isadora Duncan and Annie Oakley, whom she somewhat resembles." —Jaimy Gordon, winner of the National Book Award for her novel, Lord of Misrule
