Cinepaternity

"A valuable contribution to the literature on Soviet/Russian film. . . . Recommended.September 2010, Vol. 48 No. 1"—Choice
"This volume truly offers a feast of intellectual delights and many of its essays lend themselves excellently to incorporation in reading lists for a wide range of courses on Soviet and post-Soviet cinema, and culture more broadly. 12/7/10"—Studies in Russian and Soviet Cinema
"Helena Goscilo and Yana Hashamova's collection of essays is a most welcome addition to the existing literature on Russian cinema. . . . The volume will no doubt find wide application in university courses. Summer 2011, Vol. 70, no. 2"—Slavic Review
"[This] volume is a must-read for film and cultural studies scholars for two reasons: first, the collection addresses a major, vexed sociocultural issue over time; second, this basket of articles—all solid, some exceptional—provides new approaches to a number of important Soviet and Russian films."—The Russian Review
"The eleven articles in this anthology provide insightful studies of the Oedipal dynamics dramatized in diverse films beginning in the immediate post-Stalin period."—SEER
"A solid contribution to the fields of Soviet and post-Soviet studies, bringing to light a new understanding of post-Stalinist cinema."—Lilya Kaganovsky, University of Illinois, Urbana-Champaign