Foreword: Reopening Performance, by Charles L. Briggs
Acknowledgments
Introduction: Emerging Perspectives in the Study of Folklore and Performance, by Solimar Otero and Anthony Bak Buccitelli
Part I: Resituating Histories, Ideas, and Practices
1. The Weight and Lightness of Tradition: Interpreting Repetition in Folklore, by Anthony Bak Buccitelli
2. Contested Ancestors: Toward a Genealogy of Everyday Life in the Postdiscipline, by Eric Mayer-García
3. Minting Money: Queer Temporality and Performance in Ethnography, by Sarah M. Gordon
4. Kenneth Burke Meets the Flop-Eared Mule: A Fiddle Tune and the Performance of Form, by Gregory Hansen
Part II: Performance of Materiality, Virtuality, and the Spiritual
5. A Glitch in Time: Digital Interruptions and Spaces of Haunting, by Kit Danowski
6. Ancestoring: Materializing Memory, Mourning, and Resuscitation through Performance, by Solimar Otero
7. Memeing Together: Performance, Competence and Collective Creativity in Digital Folklore, by Sverker Hyltén-Cavallius
Part III: Performance, Polyphony, and Embodied Knowledge
8. White Moral Feelings and National Affect in Audience Reactions to Danse du Ventre and Coochee-Coochee in the Late Nineteenth-Century, by Pris Nasrat
9. Reverse, Rewrite, Reclaim Coloniality in Chicanx Flamenco at the Miss Indian World Pageant, by Erica Acevedo-Ontiveros
10. Queerly Beloved: Reflecting on Embodiments and Explorations of Gender and Pleasure Through Tango Queer, by celia meredith
Part IV: Performing Community, Situating Dissent
11. Performing Together: Rethinking Definitions of Performance as Participatory Practice, by Katherine Borland
12. A Framework for Analyzing Power and Performance: Music, Activism, and a Veterans' Anti-War Coffeehouse, by Lisa Gilman
13. Spectacular Dissent, by Sabra Webber
14. Performative Landscapes: An Exploration, by Lisa Gabbert
Index