"Amateur Movie Making is Visual History at its best."—Historical Journal of Film, Radio, and Television
"An invaluable contribution to the study of previously overlooked nontheatrical films, Amateur Movie Making is a welcome addition to the overall field of media studies. Its focus on the everyday aspects of the material culture of the past along with its highly accessible and engaging writing will appeal to experts and non-experts alike."—Society for Cinema and Media Studies Best Edited Collection Award Committee. (2018 award winner)
"[I]t is the love of cinema that shines through in these essays and the films themselves, making this book a must read for all of us."—UCLA Film & Television Archive
"There is an old idea that amateur art is the purest, because it is made without consideration of money or fame. Here is the proof—vivid slices of real life as rich and rewarding as any gallery of Old Masters, rescued from obscurity through the extraordinary efforts of Northeast Historic Film. The essays in this volume, written in plain language, provide fresh insight into this still underappreciated art form. Like great paintings, the films themselves are impossible to forget"—Phillip Prodger, Head of Photographs, National Portrait Gallery, London
"This remarkable collection of essays both documents and brings to life the contributions of amateur filmmakers in the Northeast region of the United States.As a group these practitioners, and the record of their work treated here, have helped to define aesthetic choices and expectations that have so thoroughly permeated the twentieth century and present era as to be sometimes invisible. This important study, itself reflecting a broad range of voices, performs the important work of bringing them back into view."—Anne Goodyear, Co-Director, Bowdoin College Museum of Art, Brunswick, Maine
"This book is important because it is interdisciplinary on every level, it focuses on the materiality of the films, it pays attention to how the films are constructed and what they mean, and it grounds itself in regional space as a zone of overlapping discourses."—Patricia R. Zimmermann, author of Reel Families: A Social History of Amateur Film
"As the academic study of amateur and home movies enters into a more mature phase, it has become ever more apparent that such films can only be understood by understanding the various contexts of their production—who shot the films when, where, and why?—and their reception in the family or larger groups. Martha J. McNamara and Karan Sheldon's Amateur Movie Making: The Aesthetics of the Everyday in New England Film, 1915-1960, is the first volume to provide analyses of a group of amateur films which are available for study, making the volume an excellent reader for courses on amateur film."—Jan-Christopher Horak, Director, UCLA Film & Television Archive, Professor, Critical & Media Studies, Los Angeles
"At first blush, Amateur Movie Making's subtitle, Aesthetics of the Everyday in New England Film, 1915–1960, might suggest a narrowly defined field of inquiry with limited appeal to a broader audience. But readers would be remiss to dismiss such a delightful and expansive volume that resonates far beyond the realm of amateur film. One of Amateur Movie Making's greatest strengths is its addition of materials that animate the films in surprising ways."—Journal of Cinema and Media Studies
