Acknowledgements
Note on Transcription
List of Abbreviations and Library Sigla
Introduction: Re-Thinking Boundaries in Musical Practice and Circulation / Linda Phyllis Austern, Candace Bailey, and Amanda Eubanks Winkler
1. Tudor Musical Theater: Sounds of Religious Change in Ralph Roister Doister / Katherine Steele Brokaw
2. English Jesuit Missionaries, Music Education, and the Musical Participation of Women in Devotional Life in Recusant Households from ca. 1580 to ca. 1630 / Jane Flynn
3. The Transmission of Lute Music and the Culture of Aurality in Early Modern England / Graham Freeman
4. Thomas Campion's "superfluous blossomes of his deeper studies": the Public Realm of His English Ayres / Christopher R. Wilson
5. Oyez! Fresh Thoughts About the "Cries of London" Repertory / John Milsom
6. "Locks, bolts, barres, and barricados": Song Performance and Spatial Production in Richard Brome's The Northern Lass / Katherine R. Larson
7. "Lasting-Pasted Monuments": Memory, Music, Theatre, and the Seventeenth-Century English Broadside Ballad / Sarah F. Williams
8. The Challenge of Domesticity in Men's Manuscripts in Restoration England / Candace Bailey
9. A Mid-Century Musical Friendship: Silas Taylor and Matthew Locke / Alan Howard
10. Music and Merchants in Restoration London / Bryan White
11. Daniel Henstridge and the Aural Transmission of Music in Restoration England / Rebecca Herissone
12. Courtly Connections: Queen Anne, Music, and the Public Stage / Amanda Eubanks Winkler
13. Disseminating and Domesticating Handel in Mid-Eighteenth-Century Britain / Suzanne Aspden
14. From London's Opera House to the Salon? The Favourite (and not so "Favourite") Songs from the King's Theatre / Michael Burden
15. Education, Entertainment, Embellishment: Music Publication in the Lady's Magazine / Bonny H. Miller
Selected Bibliography
Index
