Contents
Acknowledgments
Introduction
1. How Can We Define Documentary Film?
2. Why Are Ethical Issues Central to Documentary Filmmaking?
3. What Gives Documentary Films a Voice of Their Own?
4. What Makes Documentaries Engaging and Persuasive?
5. How Did Documentary Filmmaking Get Started?
6. How Can We Differentiate among Documentaries? Categories, Models, and the Expository and Poetic Modes of Documentary Film
7. How Can We Describe the Observational, Participatory, Reflexive, and Performative Modes of Documentary Film?
8. How Have Documentaries Addressed Social and Political Issues?
9. How Can We Write Effectively about Documentary?
Notes on Source Material
Filmography
List of Distributors, Internet Distribution Venues, Internet Search Engines, and International Distributors
Index