"A fascinating account of what happens when minor musicians are transplanted from routine careers in their native land to a New World fertile with opportunities for music-making. . . . The value of Bound for America not only as a work of first-rate scholarship but also as 'a good read' is clear."--Music and Letter
"Through fastidious research, a knack for objective and yet sympathetic criticism, and an intimate knowledge of the conventions of British as well as Federal-era American society, Temperley has drawn well-balanced and detailed profiles . . . . Selby, Taylor, and Jackson have thus become, somehow, more American."--Nineteenth-Century Music Review
"Temperley's study demonstrates what can be accomplished when traditional scholarly methods are applied with creativity, restraint, and elegance. . . . Temperley's careful analysis of [the composers'] careers and their music tells us much about a relatively unexplored time in the history of American music."--Eighteenth-Century Music
