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About Bach

About Bach

Edited by Gregory G. Butler, George Stauffer and Mary Dalton Greer

Contributions by Gregory G. Butler, Jen-Yen Chen, Alexander J. Fisher, Mary Dalton Greer, Robert Hill, Ton Koopman, Daniel R. Melamed, Michael Ochs, Mark Risinger, William H. Scheide, Hans-Joachim Schulze, Douglass Seaton, George Stauffer, Andrew Talle and Kathryn Welter

Published by: University of Illinois Press

Imprint: University of Illinois Press

12 black & white photographs

  • Digital download
  • 9780252090691
  • Published: October 2010
  • Description
  • Contents
  • Authors
  • Praise
That Johann Sebastian Bach is a pivotal figure in the history of Western music is hardly news, and the magnitude of his achievement is so immense that it can be difficult to grasp. In About Bach, fifteen scholars show that Bach's importance extends from choral to orchestral music, from sacred music to musical parodies, and also to his scribes and students, his predecessors and successors. Further, the contributors demonstrate a diversity of musicological approaches, ranging from close studies of Bach's choices of musical form and libretto to wider analyses of the historical and cultural backgrounds that impinged upon his creations and their lasting influence. This volume makes significant contributions to Bach biography, interpretation, pedagogy, and performance.

Contributors are Gregory G. Butler, Jen-Yen Chen, Alexander J. Fisher, Mary Dalton Greer, Robert Hill, Ton Koopman, Daniel R. Melamed, Michael Ochs, Mark Risinger, William H. Scheide, Hans-Joachim Schulze, Douglass Seaton, George B. Stauffer, Andrew Talle, and Kathryn Welter.

Preface   ix
Abbreviations   xi

BEFORE BACH
A Master Teacher Revealed: Johann Pachelbel's Deutliche Anweisung   3
BY KATHRYN WELTER

From the House of Aaron to the House of Johann Sebastian: Old Testament Roots for the Bach Family Tree   15
BY MARY DALTON GREER

BACH'S VOCAL MUSIC
Combinatorial Modeling in the Chorus Movement of Cantata 24, Ein ungefarbt Gemute   35
BY ALEXANDER J. FISHER

Choral Unison in J. S. Bach's Vocal Music   53
BY DANIEL R. MELAMED

You Say Sabachthani and I Say Asabthani: A St. Matthew Passion Puzzle   61
BY MICHAEL OCHS

Sein Segen fliesst daher wie ein Strom, BWV Anh. I 14: A Source for Parodied Arias in the B-Minor Mass?   69
BY WILLIAM H. SCHEIDE

BACH CIRCLE
Johann Friedrich Schweinitz, "A Disciple of the Famous Herr Bach in Leipzig"   81
BY HANS-JOACHIM SCHULZE

Johann Christian Bach and the Church Symphony   89
BY JEN-YEN CHEN

BACH'S INSTRUMENTAL MUSIC
Scribes, Engravers, and Notational Styles: The Final Disposition of Bach's Art of Fugue   111
BY GREGORY G. BUTLER

Notes on J. S. Bach and Basso Continuo Realization   125
BY TON KOOPMAN

Music for "Cavaliers et Dames": Bach and the Repertoire of His Collegium Musicum   135
BY GEORGE B. STAUFFER

A Print of Clavieriibung 1 from J. S. Bach's Personal Library   157
BY ANDREW TALLE

AFTER BACH
Carl Reinecke's Performance of Mozart's Larghetto and the Nineteenth-Century Practice of Quantitative Accentuation   171
BY ROBERT HILL

"Grand Miscellaneous Acts": Observations on Oratorio Performance in London after Haydn   181
BY MARK RISINGER

Back from B-A-C-H: Schumann's Symphony No. 2 in C Major   191
BY DOUGLASS SEATON

Contributors   207
Index   211

Gregory G. Butler is a professor of musicology at the University of British Columbia and the editor of Bach Perspectives, Volume 7: J. S. Bach's Concerted Ensemble Music: The Concerto. George B. Stauffer is a professor of music and Dean of the Mason Gross School of Arts at Rutgers University. He has published seven books, including Bach: The Mass in B Minor. Mary Dalton Greer is the founder and director of the series Cantatas in Context, in collaboration with the Orchestra of St. Luke's. She has taught at Yale and Montclair State University.

"Thanks to the extent, scope, and universality of his work, Bach will always be a subject for new studies. . . . An interesting collection."--Choice


“If you’re looking for an example of current state-of-the-art Bach scholarship which will also guide you through some of the most significant issues in study of the composer, enjoy the open and at the same time scholarly styles of leading experts, performers and analysts, and wish to come away feeling well and truly connected with informed thinking about Bach’s place in the wider musical pantheon, About Bach is a must.  Thoroughly recommended.”--Classical Net Review


"This is a really significant collection of essays, first-rate in terms of scholarship and the new perspectives they bring to known issues, as well as in their introduction of new facets of study. Anyone interested in Bach, his music, and the contexts of the period, will want to secure a copy of this exemplary volume."--Robin A. Leaver, author of Luther's Liturgical Music: Principles and Implications

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