Acknowledgments
Introduction: Sounding Nation and Region in Portugal and Spain
Matthew Machin-Autenrieth, Salwa El-Shawan Castelo-Branco, and Samuel Llano
Part I: Music, State Propaganda, and Authoritarian Regimes
Chapter 1: Patriotic, Nationalist, or Republican? The Portuguese National Anthem
Paulo Ferreira de Castro
Chapter 2: The Battle for the Greatest Musical Emblem: The National Anthem and the Symbolic Construction of Francoist Spain
Igor Contreras Zubillaga
Chapter 3: Portuguese Rural Traditions as Cultural Exports: How Modernism and Transnational Connections Shaped the New State’s Folklore Politics
Vera Marques Alves
Part II: Sound Technologies and the Nation
Chapter 4: Recording zarzuela grande in Spain in the Early Days of the Phonograph and Gramophone
Eva Moreda RodrÍguez
Chapter 5: The Invisible Voices of the Early Recording Market in Portugal
Leonor Losa
Chapter 6: Radio, Popular Music, and Nationalism in Portugal in the 1940s
Pedro Moreira
Chapter 7: Protest Song and Recording in the Final Stages of the Estado Novo in Portugal (1960-74)
Hugo Castro
Part III: Negotiating the State, Nation, and Region
Chapter 8: Towards a Critical Approach to Flamenco Hybridity in Post-Franco Spain: Rock Music, Nation, and Heritage in Andalusia
Diego GarcÍa-Peinazo
Chapter 9: Portuguese Rock or Rock in Portuguese?: Controversies Concerning the “Portugueseness” of Rock Music Made in Portugal in the Early-1980s
Ricardo Andrade
Chapter 10: Indie Music as a Controversial Space on Spanish Identity: Class, Youth, and Discontent
HÉctor Fouce and FernÁn del Val
Chapter 11: Catalonia vs Spain: How Sonorous is Nationalism?
Josep MartÍ
Part IV: Musical Heritagization and the State
Chapter 12: Intangible Cultural Heritage and State Regimes in Portugal and Spain
Salwa El-Shawan Castelo-Branco and Cristina SÁnchez-Carretero
Chapter 13: Sounding the Alentejo: Portugal’s Cante as Heritage
Salwa El-Shawan Castelo-Branco
Chapter 14: Flamenco Heritage and the Politics of Identity
Cristina Cruces RoldÁn
Contributors
Index
